Saint Jean's Passion - J. S. BACH

Ange Producteur produces all the cinematographic and theatrical Productions of Mario Feroce (cinema, theatr, E will opera, oratorio, length-metrages, court-metrages, Crisis of belief... E!, sand, the door blue, passion according to Jean saint, the Angels go down on ground to die, the key of the paradise, J S. Bach, Jean-Claude malgoire. Producing angel - Films, Opera, Success of Mario Feroce Ezequiel Garcia-Romeu Ezechiel Garcia-Romeu Web Era & AP - Internet sites for Artists and Companies Sarah Bensoussan Franko MIME Antonia Arnoulf Jean-Claude Haber Fayçal Boudgema Virginia Giroussens Christine Olmo-Anselmi Jean-Louis Caillat Eric Rubio Tania Goiffon Emmanuel Living room Damien Perle François Kern Epal Jean-Marc Quaranta FD 16mm Bach the blue door passion Saint Jean Jean-Claude Malgoire johann sebastian Bach the Large Stable and the Room of lyric Roy workshop of tourcoing opera-oratorio Patricia Rozario Nora Gubisch Serge Goubioud Patrick Ringal-Daxhelet Philippe Roche Jean Louis Georgel Simon Edwards Northern Regional Chorus - Pas-de-Calais Field Musics BWV245 J S. Bach Chantal Desroches Caroline Lallau Severine Fhal Mathilde Wambergue Sabine Voegtlin Emmanuelle Cosso Marie Donnio Marie Mengès Fabrice Bagni Raphaël Fregeac Laurent Lejeune Sylvie Eymere Yasmin Shah Eléonore Stern Émilie Joubert Mahaut Rabattu Mahaut Rabath Elisa Menez Helene Mahieu Chantal Desroches Lorianne Gallas Laurent Bariteau Olivier Blanchard Rachid El Hamdi Steve Nedelec Vivaldi Ravel Rachmaninov Bach Beethoven booklet olive-tree back santos opera Short-measuring court-metrage Mario Féroce film FD dogma dogme95 carries blue carries, blue Samya Teboursouki Céline Morfoise Pascal Lesaulnier Nathalie Gormand Cindy Courrège Mikael Thomasoglou Yannick Delahaye Delphine Marcoux Anne Barbier Lionel Carrlet Dimitri Veret Fred D' Hulster Ezequiel Garcia-Romeu François Kern Pascale Pinamonti Sandra Lovi Amel Abdeltif Olivia Lahougue Stephane Lescarret Jean-Marc Grosse Sebastien Serrus Jean-Louis Scarcelli Fred Vial Andre Junique Marc Mehran Florence Malgoire Joelle Azoulay François Gasnier Jean Mallet Andree Mitermite Alain Pegeot Jean-Daniel Rist Alain Viau Jean-Luc Thonnerieux Helene Suignard Sylvette Strong Andréa Fossa Michaël Greenberg Andréa De Carlo Amélie Michelle Jocelyn Daubigney Christophe Mazeaud Daniel Dehais Riccardo Rapoport Christine Plubeau Cristina Pluhar Slaps Harlé Arnaud Pumir Gilles Harlé Alain Altinoglu Sophie Retaux Eric Krins Lille Marie-Claude Garcin Jacky Lautem Veronique Desire. the official site of Mario Feroce, fiction, the large stable and the room of the roy, the angels go down on ground to die, the cry of tomato

For this film, the choice of the FD is by no means due to budgetary matters or of tendency, but is a pure artistic choice! I adore the grain and the blur (once kinescopé) that this format brings to us and emotions which it can get to us. The precision often kills the cinema, or, at the very least, art in the cinema, solidifying in the same obsolete stereotypes the image, the account and the play. I wanted a camera very close to the actresses, as if it were there to steal something of very close friend to them... and yet "flight" there was not, but "gift of oneself", yes!... I realized that my work always put the women in foreground. With this film, I became aware that it is well my signature and I wanted to entrust to the men only second roles. The most beautiful compliment? Two: "It would not be thought that this film is made by a man" and "what is shocking, in this film, it is that it did not shock me"... In this film, two things interested me: The realization of this history in love in report/ratio with Sand and freshness with my actresses, because I intended to speak more of the disorder and the discovery in love, that of a homosexual history, by conceiving the love like a right of all the beings, without ghetto of membership.

For information, here the official site of Dogme95: http://www.dogme95.dk its "manifesto": http://www.dogme95.dk/the_vow/index.htm and its "Vow of chastity"... : http://www.dogme95.dk/the_vow/vow.html

DOGMA 95 WISH OF CHASTITY.

Wild Mario - PUT IN SCENE, DECORATIONS and DRAMATURGY Born in Syracuse, Mario Féroce was raises sun and passion of Italy. Its course is not very ordinary: it begins its career with the Jazz piano, continues with the recorder and the music of the Rebirth, leads in the classes of bassoon, composition and of dramatic art of the Academy of Trieste. Its eagerness in work makes it very quickly reach all the stages which will lead it to Paris to improve with Maurice Allard. It gives recited and in the concerts of chamber music in Italy, France and ex-Yugoslavia. At the same time, it faces the direction of orchestra with Pierre Dervaux and Franco Ferrara. Little time after an event upsets its life: the meeting with Carlo-Maria Giulini which metamorphoses in him, the man more than the musician. Impossibility of equalizing its Master, pushes Mario Féroce with "living" the music through the setting in scene. It assists Pier-Luigi Pizzi in Traviata de Verdi, given to Assembles-Carlo, for the resumption with Messina with Roberto Alagna. Moreover, was pleased to work with personalities such as Margarita Wallmann, Luciano Pavarotti, Julia Migenes, Ruggero Raimondi, etc... It puts in scene its adaptation of Jonathan Livingstone the Seagull to the theatre Lino Ventura of Nice as well as the Professional singer Bald person of Ionesco, the Sanctimonious hypocrite of Molière and to see It Humaine of Cocteau. In Prague, met in scene Così fan tutte of Mozart has. For the cinema, it turns several documentary and court-measurings of fiction of which "Crisis of belief... E!", noticed with the festival of Nevers and Clermont-Ferrand. It writes the booklet for the opera The Factory, satire of the scientific world vis-a-vis to the animal universe. The meeting with Jean-Claude Malgoire marks the achievement of ten years an old dream: the setting in scene of Passion according to Saint Jean de Johann Sébastian Bach.

Patricia Rozario Born in Bombay, Patricia Rozario made her studies with Walter Gruner in Guildhall School of Music of London where it obtained a gold medal, then with Vera Rosza. She studied also with the National Opera Studio, and followed master-classes with Pierre Bernac and Hans Hotter. Patricia Rozario is regarded as one of best the sopranos of rising generation. She gives recitals very snuffed in all United Kingdom. In concert, Patricia Rozario occurs in a very broad repertory with the most prestigious formations and chiefs. IVème de Malher with Royal the Philharmonic society Orchestrated under the direction of Ashkenazy, Requiem of Mozart under the direction of J.E. Gardiner, Messe in If, Oratorio of Noël Magnificat of Bach with the Orchestra of Market, Messie of Haendel under the direction of Andrew Parrott, Passion according to St Jean of Bach with Academy of Ancient Music under the direction of Christopher Hogwood, Messe in minor C of Mozart for French television under the direction of Theodore Guschlbauer in Strasbourg, Requiem of Fauré and 3rd symphony of Gorecki under the direction of David Aterton with Hong Kong. In the field of will lOpéra, Patricia Rozario sings especially the repertory baroque and traditional, it, inter alia, was Pamina of the Magic Flute, Belinda de Didon and Enée, Ilia d' Idomeneo (for Glyndebourne), Zerline with the Festival dAix in Provence, Romilda in Xerxès de Haendel with the Festival of Innebruck, and the Opera of Flandres. Patricia Rozario also has a very important activity in contemporary music it created Golem de Caske, Mary of Egypt de Tavener, like Innocence of the same type-setter of which it also recorded a volume of melodies. Its discography is abundant. Nora Gubisch Born in 1971, it begins very young person its musical studies and between with the Control from Radio France; within this framework, and during four years, it sings under the direction of prestigious chiefs (Seiji Ozawa, Marek Janowski, Nello Santi, Lorin Maazel...). Following its successes with the Academy, it obtains a First Price and the Medals of Gold of piano as well as reading, chamber music, analyzes and musical formation. In 1988, it starts to study the song and it obtains at 24 years a First Price with the Academy of Paris. It also studied with Gabriel Bacquier and Vera Rozs, it is Lauréate of the Academy Maurice Ravel in 1994. In 1996, it is engaged by the Festival of Saint-Céré (role of the Third Injury in the Magic Flute. It gives recitals and concerts of melodies and Lieder to the Pleyel Room in Paris, in Rheims like in Pierrefonds. In 1996, it takes part in the creation of a contemporary opera It is the fault with Werther like in Schubertiades with Gerard Caussé and Alain Marion. It sings the title role of Juditha Triumphans de Vivaldi with the Opera of Lille and the Comic Opera under the direction of Jean-Claude Malgoire. Under the direction of Sir Davis Hake, it interprets the role of the mezzo in Romeo and Juliette de Berlioz in Paris, Copenhagen and Rimini and in front of her success, it will take it again in 1998. She will be the messenger in Orfeo de Monteverdi, the third injury in the Magic Flute in Capitole of Toulouse, the nurse in Eugene Oneguine with the Opera of Nancy and Carmen of Peter Brook in Gordes, In 1998, she will sing the martyr of Saint-Sébastien in Hamburg and Sonietka lady Macbeth de Mtsensk in Nantes. Serge Goubioud Tenor and high-against with the Frenchwoman, Serge Goubioud begins the song in 1989 at Paul Colleaux. He makes his beginnings on scene with the Musique unit XVIIIème of J.C. Friche with the Festival of Dijon for the creation of the Indies Galantes of Branch in his version of, room, which will be given again with the festivals of Island of France and Lanvellec the following year. With the festivals of Antwerp and Utrecht, it sings and plays in Comedie Madrigalesque directed by Denis Raisin Dadre (August 96, production of the Festival of Ambronay). In autumn 95, it interprets the airs of high-against in King Arthur de Purcell with the Festival of Pontoise, under the direction of Herve Niquet. In April 1996, is entrusted to him its first role of evangelist in Passion according to Jean Saint of Bach. Since 1994, Serge Goubioud occurs regularly within the Concert of sacred music of Herve Niquet like with Denis Raisin Dadre and the Unit Doulce Mémoire. He also works with the Unit Jacques Moderne, the Unit Akadémia, the Vocal ensemble of Nantes, the Parliament of Music, the Large Stable and the Room of Roy. Serge Goubioud is member of the Baroque studio of Versailles. Patrick Ringal-Daxhelet After having studied the song with Paule Daloze, with improved with Noélle Barker of Guildhall School of London. He gained the International Contest of oratorio and Lied of Clermont-Ferrand, like that of Ligure Finale. He is a soloist with the Church of Tiny of Brussels since 1990 when A sings Cantatas of Bach under the direction of Adrian Knott and Jacques Vanherenthals. He appreciates the French melody and particularly Poulenc, this enabled him to create its own spectacle: Albert with Delvaux Space with Jean-Pierre Moemaers. It took part in creations like Pension for dogs in Theatre 140, Bi of Alain Gilbert (spectacle for percussions and voice), and Mathilde operated in an act of Samir Bendimered, on a booklet of Catherine Simon, world creation on January 17, 1996. It was selected by Britten Pears School for Advanced Musical Studies to sing Plutone in Orfeo de Monteverdi in Aldeburgh Festival 1993 pennies the direction of Anthony Rolfe Johnson. Lately it sang the role of Side in the Hypochondriac directed by Louis Devos put in scene by Armand Delcampe. Barca di Venetia per Padova directed by Florian Heyerick put in scene by François Vaneeckhaute, the role of Punchinello in Atis Travesty and that dAdmète and of Charon in Alceste with Amusements of Roy directed by Jean Luc Impe. With the Large Stable and the Room of Roy it interpreted Straton and Charon in Alceste de Lully under the direction of Jean-Claude Malgoire. Lastly, he is a soloist with the Opera-Studio, of the Currency where A holds the role of Sarastro in By the Magic Flute for season 96/97. Philippe Roche It begins the study from the song in the class of Jocelyne Chamonin. Then, with its course at the CNR of Paris continues where to the courses of Jacques Bona and Michel Laplénie follow. Concerned to improve in the repertory of the old music, to enters in 1996 to the Studio Baroque of Versailles where it works with Rachel Yakar and follows MasterClasses of J.C. Malgoire, S. Kuijken, H. Crook, G Lesne, C Rousset...

Philippe Roche takes part regularly in the activities of several vocal ensembles

Jean Louis Georgel It begins his musical studies with the National Academy of Area of Strasbourg in classes of organ and song. Licensee of Musicology of the University of the Social sciences of Strasbourg, it continues his studies of song at Louis Bronner and follows various lesson to Frankfurt, Lyon and Paris. He works at Rachel Yakar with the Studio Versailles-Opera under the direction of Marc Minkowski of 1993 to 1996. Gold voice melody category, 2nd price of operetta in Béziers in 1989. the unit Clement Janequin with which it approaches a vast going repertory of XVe century at the XXe century with many contemporary creations. Jean Louis Georgel interpreted various roles Baiocco and Serpilla interlude of C Sodi with Y. Locating in 1989, Alcide, Pluton, Licomède in Alceste de Lully with J.C. Malgoire and J.L. Impe, Enée in Didon and Enée de Purcell in Besancon in 1996, an Education Lacked B Chabrier with R. Delage. He creates several contemporary works the Red Grass of J.C. Ronfort, Casta Diva of P. Guiral. He will take part soon with C Rousset in the recreation of Didone de Cavalli, will be Sander in Zémir and Azor de Grétry in Nantes, will be Minotaure in ARIANE de Martinu with the Opera of the Rhine. It takes part in many concerts cantatas and Pensions of J.S. Bach, Requiem of Brahms, Fauré, Mozart Duruflé, Poèmes of S. Oenna of G Pesson with D. My then B Desgraupes, creation of F Paris to the IRCAM with P.A. Valade. It particularly Actuates the Lied and the Melody which it cultivates in particular with F Verry pianist and pianofortist. Among its many recordings, let us quote Hippolyte and Aricie de Rameau in the roles of Mercury and Arcas. Its discography is important.

Simon Edwards It continued his studies of song in France in the Polyphonic Center of Island of France and to the Mozart Academy in Paris with Denise Aignerelle. He worked with the Royal Vault under the direction of Philippe Herreweghe Israel in Egypt and Allegro de Haendel with the Theatre of the Elysées Fields and the Theatre of the Currency of Brussels, with the Musicians of the Louvre Non and Enée and Acis and Galatée. With the Large Stable and the Room of Roy under the direction of Jean-Claude Malgoire, has sang in many concerts. In 1992, Simon Edwards carried out a round in Italy with the Orchestra Baroque of Market in the role titrates of Jephta de Haendel and 1 sang the role of Septinius in Théodora de Haendel Così fan tutte of Mozart in round, like his participation in the spectacle Arlésienne de Bizet given to the Theatre of the Ideal of Tourcoing with J.C. Malgoire in January 1994. During season 94-95, Simon Edwards found J.C. Malgoire for Don Giovanni and Così fan tutte of Mozart. He took part in the emission "Musics in the Heart" in November 1994. In December 1996, it sang Fadinard in the Hat of Pa& of Italy de Nino Rota put in scene by P.L Pizzi at the Opera of Nice and the Count Almaviva in the Barber of Seville at the Comic Opera in March 1996. In 96-97, begun again Trilogy Mozart/Da Big shot. Jean-Claude Malgoire In 1966, Jean-Claude Malgoire melts, with friends musicians who, like him, wonder about "the authenticity" of the interpretation of the music of XVIIème and XVIIIème centuries the orchestra the Large Stable and the Room of Roy. To its talents of instrumentalist come to be added from now on those of leader, of musicologist, organizer of theatre and overall vocal. It is invited in France and in the whole world by the large houses of opera or the considered symphony orchestras, to direct not only works of XVIlème and XVIIIème centuries but also Beethoven, Schubert, Mendelssohn, Wagner, Stravinsky...

In 1981, Jean-Claude Malgoire takes the direction of the Lyric Workshop of Tourcoing, well defined to widen the traditional lyric repertory. The productions follow one another Montezuma, the pasticcio elaborate by Jean-Claude Malgoire on musics of Vivaldi, remains the event of the year 1992, crowned by the Victoire of the Music for her recording with the disc. Vespers for the Nativity of the Virgin of Vivaldi and Orfeo de Gluck presented at the Festival of Aix appear among the important concerts of 1994, they were the subject of very noticed recordings to the disc. In 1996 it engages a new bet: the Mozart/Da Trilogy Big shot (Nozze di Figaro, Don Giovanni, Così fan tutte), with the Lyric Workshop of Tourcoing, in a setting in single scene of Pierre Constant, rewarded by the price for criticism. Year 1996 opened with Falstaff de Salieri, will follow Orfeo de Gluck to Barcelona and Nice, and the resumption of the Trilogy Mozart/Da Ponte to the Theatre of the Fields-élysées and in round. The recording of this version of the three operas of Mozart has just appeared out of box CD at Astrée Auvidis.

The Large Stable and the Room of Roy Founded in 1966, by Jean-Claude Malgoire, this instrumental unit falls under a tradition which goes up in François ler. The Large Stable joined together "those which make large noise" (trumpets and drums) whereas, Chambre of Roy gathered "those soft with ouyr" (oboe and violins). Attache initially with the repertory of instrumental works of XVIIe and XVIIIe centuries, the orchestra approaches, since 1974, the opera with Lully, Rameau then Haendel, Charpentier, Monteverdi. Its 25th birthday is marked by both Alceste, of Lully and Gluck, with the Theatre of the Fields-Elysées, the motets of Campra to the Royal Vault of Versailles, Admeto de Haendel with the Comic Opera. Since its creation, the unit gave more than 1.500 concerts in the whole world, with its credit also of many discs (nearly 100), of which several are first recordings (Rinaldo de Haendel, Alceste de Lully or Solemn Vespers of M.A.Charpentier...). Among the recent recordings appear Montezuma, a pasticcio of Vivaldi for which Jean-Claude Malgoire received the Victoire of the Music 1992, Vespers of the Nativity of the Virgin of Vivaldi which obtained the price of the Academy of the lyric disc, Orfeo with Euridice de Gluck presented at the Theatre of the Fields-Elysées, with Brest and the Festival of Aix in Provence in July 1994. Jean-Claude Malgoire and the Large Stable and the Room of Roy take part regularly in the festivals (Aix, Saint-Denis, Ambronay, Chair-God, Versailles, Montpellier, Sarrebourg, Lourdes...). Season 94-96 opened with a partition ignored in Europe: the Mass of Holy Cecile of Brazilian Nunes Garcia. In 95, it takes part in the major event of the season: Triologie Mozart/Da Big shot under the direction of Jean. Claude Malgoire taken again into 96-97 with the Theatre of the Élysées Fields and in round. The recording of this version of the three operas of Mozart has just appeared out of box CD at Astrée Auvidis.

Formation Northern Regional Chorus - Pas-de-Calais Musics Field After some probatory experiments in 1979 and 1980, in particular with the National Orchestra of Lille, Pierre Host creates the Regional Chorus in December 1981. Jean Bacquet ensures some the artistic direction since then and gives the great partitions of the repertory: Passion according to Jean Saint, Passion according to Matthieu Saint and Magnificat of Bach, the Messiah of Haendel, the Requiem of Mozart, the Requiem of Fauré and Gloria de Poulenc. It is still necessary to quote oratorios and masses of Marc-Antoine Charpentier, operas of Branch and Mozart, the Clemence of Titus, Così, fan tutte, the Weddings of Barber, Don Juan, without omitting contemporary works of Maurice Ohana and Luis of Pablo, for example. The a hundred and thirty singers, all enthusiastic amateurs, find within the chorus the means of enriching their vocal formation and their musical culture, in particular thanks to the contact of the chiefs whom they meet: Jean-Claude Casadesus, Jean-Claude Malgoire, Henri Vachey, Valentine Kojin, Bruno Amaducci, Patrick Stick, Henri Welsh, Aquino, Maxim Chostakovitch inter alia. With the program of its season 19941996 the Requiem of Mozart directed by Jean-Claude Malgoire; Berlioz, Dvorak, Parry, with the Festival of Canterburry directed by AI Deller; two cantatas of Berlioz with Jean-Claude Casadesus, with the Opera of Lille, the Japanese diptych put in scene by Robert Wilson; The Childhood of the Christ of Berlioz with P. Vigneron; Gift Giovanni and Così fan tutte of Mozart with Jean-Claude Malgoire, the Requiem of Made green under the direction of Jean-Claude Casadesus.

The Large Stable and the Room of Roy 1st violin: Florence Malgoire Violins: Joelle Azoulay, François Gasnier, Jean Mallet, Andree Mitermite, Alain Pegeot, Jean-Daniel Rist, Alain Viau Violas: Jean-Luc Thonnerieux, Helene Suignard Violoncellos: Strong Sylvette, Andréa Fossa Double bass: Michaël Greenberg, Andréa De Carlo Flutes: Amélie Michelle, Jocelyn Daubigney Oboe: Christophe Mazeaud, Daniel Dehais Bassoon: Riccardo Rapoport Violates gamba: Christine Plubeau Lute: Cristina Pluhar Organ: Slaps Harlé Chiefs of song: Arnaud Pumir, Gilles Harlé, Alain Altinoglu, Sophie Retaux Manager: Eric Krins

Regional chorus North-Not of Calais Faithful Musics Field: Francine Beauvillain, Cecile Beuzon, Eric Coeln, Bertrand Delle, Helene Leuridan, Pierre Levèque, Michel Picavet, Sylvane Secq, Yves Secq, Jacqueline Vicente, Bernadette Willem, Renaud Wittouck. Pharisees: Francoise Bonte, Virginia Knight, Micheline Chevallier, Annie Détour, Eric Deltour, Alain Desmarets, Olivier Desmons, Maryse Dumont, Colette Eteve, Joel Fonfrede, Michele Gaudefroy, Marie-Claude Lefévre, Denis Peyrat Christine Picavez, Serge Pollet, Nadia Tavernier, Selvam Thorez. with the Organ: Jean-Claude Beauvillain, Marie-Helene Blondeau, Damien Boussekey, Thierry Charon, Gilbert Squares, Jacques Cotelle, Ghislaine Couplet Bernard Croenne, Danièle Croenne, Maurice Deleforge, Roland Feneyrou, Guy Goulois, Helene Herlent, France Homon, Jean-Claude Homon, Claude Lagache, Lamidey Christian, Michel Lemoine, Claude Lestavel, Thérèse Letiers, Béatrice Poupard. Observers: Emilie Desbonnet, Alexandre Fried, Valentine Lecomte, Alexis Noël Guillaume Noêl, Bertrand Rapp, Olivier Vanhalst. Puppet of the cock: Rocolo Band Thanks: The Metaphor, Fresnoy, the Compass card, Lille Large Palate, the CRRAV, municipal services of the Town of Tourcoing, Mr Facques, the Parish Our Darne of the Angels.

Eclair north 23 Mars 1997 Passion has abundance... JESUS, Marie, Joseph!... By all the saints of the paradise, what a beautiful Passion! A Passion dense, intense, with the eloquent music. One had made it clear to us that "the Jean Saint" by the Large Stable would be the nail of these Weeks Choral societies. The word was not too strong: the public literally was nailed emotion by this palpitating work like a heart. Nailed like a butterfly in the window of a collector of lépidoptères.. Those to which one does not do it any more, blasés which know the partition on the end of the nails, which are capable of fredonner in their bathroom, each récitatifs of the Evangelist or the aria "are STI volbracht", as commotionnés as the others, were at the edge of the tears. Emotion that can make so well divide, to each one of their go with the large type-setters, Jean-Claude Malgoire and his musicians. The setting in scene of Mario Féroce is one cannot more sober, at the point to even appear austere about it. It is erased in front of the Mystery, behind the torment and the resurrection of the Man. Humbly, Mario Féroce agreed to let himself carry by the subject, conceiving each one of her pictures painted with the way of the Masters of the Venetian cinquecento, like an illustration and not like a demonstration of crowned, like a picturesque reading of the music. An illustration so precise that one also forgets of it that the entry of Our-injury Angels, deprived of clotheshangers lends itself badly to the thousand and one theatrical subtleties and contingencies. Same humility in the soloists. And yet, this Passion BWV245 will have gathered around the cross an incomparable skewer of talents: Serge Goubioud (the Evangelist), Patrick Ringal Daxhelet (Christ), Jean-Louis Georgel (Holy Pierre), Philippe Rock (Pontius Pilate), Simon Edwards (at the same time angel and Judas), Patrizia Rozario, (Marie-madeleine), Nora Gubish (the Virgin Mary). All seemed to us to adopt with regard to passion, a reserve close to the veneration. Principal actor of this spectacle-miracle, the Regional Chorus Nord/Pas-de-Calais Area subdivided like a Trinity in three sets: that of the pharisees, that of the disciples and, nested close to the organ, that of the witnesses. Bringing each one on their side to this interpretation-illustration all necessary liveliness and all ardour. One strong moment. As if this Passion were at the borders of inexpressible, just with the line of demarcation where time like the stork, suspends its step and gives the impression to become a piece of eternity. The public if it had not been without voice would undoubtedly have entonné a "Magnificat"... . Joel Cottrant

Marie-Claude Garcin - COSTUMES Since a score of years, Marie-Claude Garcin is faithful teams which accompany, in the shade, creations mixing theatre, music and dance. Its specialities: the preparing, the final improvement maintenance, the control of the costumes and sometimes, assistance of the costumiers and the decorators. Generally it never hesitated to embark in the teams of rescue on the open sea, kind galère force 9, with for captains Patrice Cauchetier, Pierre Dias, Isabel Echarri and Diégo Etcheverry, Rudi Sabounghi, Francoise Tournafond, for example. The directing artists have been to him also faithful Jean-Claude Malgoire and the Lyric Workshop of Tourcoing for the majority of their creations and rounds for ten years; previously Pierre Barrat and the Workshop of the Rhine for about fifteen creations at the beautiful years of the musical theatre, but also today, the companies of dance baroque and in particular the gallant Festivals of Beatrice Massin and the Range of Marie-Genevieve Masses.

Jacky Lautem - LIGHTS worked with Gildas Bourdet, Jorge Lavelli, Bernard DebrouX, Ariel Garcia Valdès Jean-Paul Lucet, Richard Dembo, Jean-Louis Martinoty, François Raffine, Kilina Crémona, Pierre Boutron, Jos Verbist, Patrice Kerbrat. It recently carried out the creation of lightings of Adam and Eve put in scene at Marseilles by Gilda Bourdet at the National Theatre of Shouted like those of Molly S put in scene at Paris by Jorge Lavelli at the National Theatre of the Hill and Fatsoen put in scene in Brussels by Jos Verbist have Flemish Royal Theatre.

Veronique Desire - MAKE-UP and HAIRSTYLE Equip technical technical Directeur: General Joèl Provensal Governed: Daniel Mercier, Froment Equips technical with the Lyric Workshop of Tourcoing: Bertrand Mahé, Slimane Khelifa, Colette Dhalluin, Christian "have technical Team of the Municipal Theatre of Tourcoing: Rene Blairon, Patrick Duquesnoy, Gilles Lescroaert Christian Debaisieux, Francis Delnaisse, Philippe Chevraux, Thibault Slaps. And equips it with Mystery. Costumes, preparing: Marie-Claude Garcin, Jeannine Cérédé, Yvelyne Liagre, musical Georgette the Brabant Governed: Grégory Voillemet Governed subtitling: Eve Testart Make-up and hairstyle: Veronique Desire

WEEKS CHORAL SOCIETIES 97 ARTISTIC DIRECTOR: JEAN CLAUDE MALGOIRE Johann Sebastian Bach Passion according to Saint Jean musical Direction: Jean Claude Malgoire Scenography: Wild Mario Costumes: Marie Claude Garcin assisted of Jeannine Céréde Lights: Jacky Lautem Evangelist: Serge Goubioud, Marie-Magdalene Tenor: Patricia Rozario, Marie soprano: Nora Gubisch, mezzo Jesus: Patrick Ringal Daxhelet, baritone low Pierre: Jean Louis Georgel, Pilate baritone: Philippe Rock, low Judas, Judas: Simon Edwards, Northern tenor Regional Chorus - Pas-de-Calais - Field Musics (dir.: Jean Bacquet) Chief of chorus: Me Deltour the Large Stable and the Room of Roy Tourcoing Church Our Injury of the Angels Friday March 21, 1997 and Samedi March 22, 1997 - 20h LYRIC WORKSHOP OF NORTHERN TOURCOING AREA - Pas-de-Calais

Passion according to Saint Jean (BWV245) Created with vespers of the Good Friday April 7, 1724, in the church Nicolas Saint of Leipzig. "Jesus knew all now that was going to arrive to him" While composing of passions for the Holy Week, Bach, did nothing but obey a tradition which went up in XIIe century. There were initially psalmodiées passions, then passed-motets. Finally the motet is transformed into cantata. With Bach, all the range of the human feelings finds its place in passion, nothing rigid in the construction industry work where all is left with the liking of the type-setter. This one trust some the booklet and passion becomes a kind of crowned opera. Work follows the account of the holy evangelist Jean (18, 1940 and 19, 1942) but Bach adds two passages of Matthieu Saint to it in particular the account of the earthquake. The cantor also includes in the booklet of the poems drawn from a passion from Brockes (1680-1747) and texts of another from Postel (1658-1706) as well as poems from Weise (1642-1708). In the composition of its work, Bach gave a relief very particular to the choruses of crowd (turba) is delirious about it, to its cries and its vociferations, a crowd where mix the people, the soldiers, the henchmen, the servants and the ecclesiastical dignitaries of high row. Dramatic impetuosity, "verism", the vehemence of engagement characterize Passion according to Jean Saint.

LE SABLE

 

LA PORTE, BLEU

 

CRISE DE FOI... E !

 

La clé du Paradis

 

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